This game started out as a rumored Zelda game for some reason (because of the triforce symbol on the clock thing). It got a bit of hype because of that. What really interested me was the graphics, ad then I heard about the completely random concept. After playing the demos, I was sold.
What is it that made me fall in love with it? Read on and see!
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I was searching around the web to find a deal on a Power Glove for the NES. Unsurprisingly, I didn’t find anything good in that regard, with the piece of shit being either incredibly hard to find, or way over-priced when I DID find it.
But the search wasn’t ENTIRELY fruitless, as I did manage to find something of interest that combines 2 things I love: old-school video game music and Power Metal. What I found was Power Metal band Powerglove.
Read on for a bit more info and a few songs to preview them!
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This game is loosely based on a japanese TV show that involves playing retro grames, which is called Game Center CX. I say loosely, because I kinda doubt the story in this game is the same as in the TV show. And add to that the fact that you don’t play any actual retro games, but instead you get a bunch of new games made in a retro style, inspiring their gameplay on actual retro titles.
What I’m reviewing here is basically eight 8-bit games, and I’ll also be reviewing the package as a whole. This will be kinda long…
Well, read on!
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Let’s go back to the 80s and very early 90s, the golden age of the 8-bit era and simple games on the visual side of things. Wasn’t gaming great back then? Wasn’t the point of games being fun and getting your ass handed over times and times again before you’d beat them, that is when there was an ending? Games back then often came alive into the vision their creators wanted exactly, for the simple reason that not so many people were involved in them, so it was easier to get exactly where they wanted. (Note that this is an unproven theory I just made up, but you have to agree that it makes at least a small bit of sense). When you have teams of hundreds with different people working on each corner of the game, what you end up with isn’t often anything close to what was originally imagined.
Fast-forward to 2004, Daisuke “Pixel” Amaya, a Japanese doujin (independent/amateur) game developer release this little gem called Cave Story, which with what I was lead to believe, was mainly done by him alone. Now keep in mind that I haven’t completed this game yet. I’m at the final boss part, after going through the tough version of the last “cave”. And after that, there lies apparently bonus content that’s going to kick my ass, to congratulate me on taking the high road.
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